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    November 27

    To my Malek Fahd friends

    To five dear students, Zaynab, Eman, Alina, Marwa, and Tanvir, I dedicate the following poem. Thank you for your lovely thoughts and well wishes. I am honoured to know you.
     
    Book Marks
     
    Tis said a life is like a book
    Chapters, leaves - the seasons brook
    Beginnings, ends, journeys, signs,
    Textures of the language mime.
    Books mark
     
    ***
     
    Contiguous time and pages scribed are
    Footprints, residue, a paste of tense
    Attached fibrously on barbed wire,
    Anxiously written, so quickly forgotten
    almost pointless - although.
     
    ***
     
    Coming back is optional like
    Hansel and Gretel's orientation
    Disaster, a plan in need
    Of an edible
    Book mark.
     
    - Mangomop (2008)
    October 31

    Late Late October Offering

    Gift of Rain
     
    1
     
    Cloudburst and steady downpour now
    for days.
                  Still mammal,
    straw-footed on the mud,
    he begins to sense weather
    by his skin.
     
    A nimble snout of flood
    licks over stepping stones
    and goes uprooting.
                                 He fords
    his life by sounding.
                                 Soundings.
     
    II
     
    A man wading lost fields
    breaks the pane of flood:
     
    a flower of mud-
    water blooms up to his reflection
     
    like a cut swaying
    its spoors through a basin.
     
    His hands grub
    where the spade has uncastled
    sunken drills, an atlantis
    he depends on. So
     
    he is hooped to where he planted
    and sky and ground
     
    are running naturally among his arms
    that grope the cropping land.
     
    III
     
    When rains were gathering
    there would be an all-night
    roaring off the ford.
    Their world-schooled ear
     
    could monitor the usual
    confabulations, the race
    slabbering past the gable,
    the Moyola harping on
     
    its gravel beds:
    all spouts by daylight
    brimmed with their own airs
    and overflowed each barrel
     
    in long tresses.
    I cock my ear
    at an absense -
    in the shared calling of blood
     
    arrives my need
    for antediluvian lore.
    Soft voices of the dead
    are whispering by the shore
     
    that I would question
    (and for my children's sake)
    about crops rotted, river mud
    glazing the baked clay floor.
     
    IV
     
    The tawny guttural water
    spells itself: Moyola
    is its own score and consort,
     
    bedding the locale
    in the uttereance,
    reed music, an old chanter
     
    breathing its mists
    through vowels and history.
    A swollen river,
     
    a mating call of sound
    rises to pleasure me, Dives,
    hoarder of common ground.
     
    - Seamus Heaney
    New Selected Poems 1966-1987
    August 14

    August arrived bringing the migrants

    Night Ride
     
    Along the black
    leather strap
    of the night
    deserted road
     
    swiftly rolls
    the freighted bus
    Huddled together
    two lovers doze
     
    their hands linkt
    across their laps
    their bodies loosely
    interlockt
     
    their heads resting
    two heavy fruits
    on the plaited
    basket of their limbs
     
    Slowly the bus
    slides into the light
    Here are hills
    detached from dark
     
    the road, uncoils
    a white ribbon
    the lovers with
    the hills unfold
     
    wake cold
    to face the fate
    of those who love
    despite the world.
     
    - Herbert Read 
    July 19

    July Penance - 2 for the Price of One

    The Meaning of Existence
     
    Everything except language
    knows the meaning of existence
    trees, plants, rivers, time
    know nothing else. They express it
    moment by moment as the universe
     
    Even this fool of a body
    lives in part, and would
    have full dignity within it
    but for the ignorant freedom
    of my talkative mind
     
    - Les Murray
     
    Landscape with the Fall of Icarus
     
    According to Brueghel
    when Icarus fell
    it was spring
     
    a farmer was ploughing
    his field
    the whole pageantry
     
    of the year was
    awake tingling
    near
     
    the edge of the sea
    concerned
    with itself
     
    sweating in the sun
    that melted
    the wings' wax
     
    unsignificantly
    off the coast
    there was
     
    a splash quite unnanounced
    this was
    Icarus drowning.
     
    - William Carlos Williams
    June 06

    The Moon is Jeune

     
    one day


    I am walking down a road that cannot erupt with lava
    towards a morning sun that cannot fall from the sky
    I run into an ugly-looking woman I cannot fall in love with
    in her hand she is carrying a dead fish that cannot be brought back to life
    she uses filthy language that cannot be beautiful
    at this moment I cannot grow a pair of wings and fly up into the clouds in the sky
    I go home to a house that cannot collapse
    and run into my father whom I cannot get along with
    at this moment, I'm too big
    I cannot turn myself into a rat
    and quietly creep into my hole in some corner
    tonight I lie down on my bed that cannot turn into the open sea
    at this moment I cannot die
    but I have a dream:
    the sun falls to the earth
    lava erupts from the ground
    I fly up into the sky
    kissing the sweet lips of a woman
    the fish she carries in her hand is singing hymns
    my father kneels down beside a ruin
    and says, pointing at the sky
    "what a great man he is"
    next morning I wake from my dream
    I cannot believe that it was real

    - Sheng Xing

    http://china.poetryinternationalweb.org/piw_cms/cms/cms_module/index.php?obj_id=971

    May 03

    Merry Month of May

    The Ides of Amer-I-Can

             O tempora! O mores!
             —Cicero

     

    I write in times of plus and minus, in
    decades of division. I write in times
    when what's said aloud is sometimes
    not allowed said. The brain's in halves,
    the heart's in half-knots. In times when
    pronouns take the place of nouns and
    proverbs take the place of thought. Times
    of humanity's peak-ruts: assaults on clear
    new summits (and summits on nuclear assault).
    When the Air Force aims high and diplomacy
    dips low. I write in times when ink seems
    obsolete, pens dead. I write on a computer
    whose newspaper-named fonts beg
    outrageous multiplication. I write in Times.

                                   •

    Her T-shirt exclaims NF! and this is America
    all right, that said it, NF is enough, and
    yeah, it's clever, but lacks a clear referent:
    of what? She's dressed kinda feminist
    so maybe that's her beef: NF
    of this crap, NF of the way you
    bastards look at me—basta bastardi!
    for those of you who ogle in Italian—
    NF sentences and sentiments like
    "She's dressed kinda feminist," NF
    ineffables, let's try saying something useful.
    The N is on her right breast, the F the left.
    I visibly introduce myself to N.
    She verbally introduces me to "F— you."

                                   •

    My grandpa used to say as we'd drive
    the backroads, "Never forget, son, American
    ends in I-can," giving me a license
    before I needed it. I'd perch on his lap
    to steer, he'd shift and work the pedals; hey,
    it really looked like the world was racing
    for me. Never swerved toward, "But, Grandpa,
    so does Mex-ican—and where did that get them?"
    Where would that put me? Agree with grandpa
    and drive—dissent, boy, gets you nowhere.
    Took years to see the bugs in the grill, the Sunday
    roadkill half-dressed in a ditch, before grasping
    the unspoken right-of-way. Amer-I-can,
    really. One possum better off dead.

                                   •

    We've clocked the sneeze doing 90.
    In seconds, it can work a room. My wife
    seizes up and lets hers go in two iambic bursts.
    (It's cute, it's cute.) Our sneezes, we know,
    are ours for life, however accomplished:
    my solid hoot, her teensy twos, the three or
    more (I'm guessing) you're doomed to repeat—
    just reflex. By history, then, do we mean
    we want nothing to sneeze at? Jamestown
    to James Brown in a few hundred blinks, Plato
    to NATO in the space to sneeze. Is it me,
    dear wife, or is the world looking less
    like a "Man's Man's Man's World?"
    Itsyou, she doubles up, itsyou.

                                   •

    Today even blood can kill, I can tell
    through a bag marked BIOHAZARD. Doc says
    my back is bad, recommends more foam
    in the sole ("With these shoes you hardly
    feel the earth"). Nothing's touching, I notice
    around the sterilized office: tray here, pads there,
    swabs over some. Gloves between me
    and my healer, paper between me
    and the seat, latex between lovers, what's it
    coming to? Expanse's expense is a distance
    you can learn from any pre-packaged fork
    in the hospital café, eating in our cultural
    fashion, with middlemen, no fingers. Clean
    utensils for hands who knows what's on.


    Kevin McFadden

    March 30

    April is My Month & this is My Poet

    We are the clumsy passersby

    We are the clumsy passersby, we push past each other with elbows,
    with feet, with trousers, with suitcases,
    we get off the train, the jet plane, the ship, we step down
    in our wrinkled suits and sinister hats.
    We are all guilty, we are all sinners,
    we come from dead-end hotels or industrial peace,
    this might be our last clean shirt,
    we have misplaced our tie,
    yet even so, on the edge of panic, pompous,
    sons of bitches who move in the highest circles
    or quiet types who don't owe anything to anybody,
    we are one and the same, the same in time's eyes,
    or in solitude's: we are the poor devils
    who earn a living and a death working
    bureautragically or in the usual ways,
    sitting down or packed together in subway stations,
    boats, mines, research centers, jails,
    universities, breweries,
    (under our clothes the same thirsty skin),
    (the hair, the same hair, only in different colors).

     

    by Pablo Neruda

    http://www.public.asu.edu/~nielle/neruda.htm#mebird

    March 06

    Poem for March

    Personal Helicon
    for Michael Longley

    As a child, they could not keep me from wells

    And old pumps with buckets and windlasses.
    I loved the dark drop, the trapped sky, the smells
    Of waterweed, fungus and dank moss.
     
    One, in a brickyard, with a rotted board top.
    I savoured the rich crash when a bucket
    Plummeted down at the end of a rope.
    So deep you saw no reflection in it.
      
    A shallow one under a dry stone ditch
    Fructified like any aquarium.
    When you dragged out long roots from the soft mulch
    A white face hovered over the bottom.
       
    Others had echoes, gave back your own call
    With a clean new music in it. And one
    Was scaresome, for there, out of ferns and tall
    Foxgloves, a rat slapped across my reflection.
     
    Now, to pry into roots, to finger slime,
    To stare, big-eyed Narcissus, into some spring
    Is beneath all adult dignity. I rhyme
    To see myself, to set the darkness echoing.

      - Seamus Heaney   

    February 15

    Feb 2007

    Choosing to Think of It
           
            Today, ten thousand people will die
            and their small replacements will bring joy
            and this will make sense to someone
            removed from any sense of loss.
            I, too, will die a little and carry on,
            doing some paperwork, driving myself
            home. The sky is simply overcast,
            nothing is any less than it was
            yesterday or the day before. In short,
            there's no reason or every reason
            why I'm choosing to think of this now.
            The short-lived holiness
            true lovers know, making them unaccountable
            except to spirit and themselves--suddenly
            I want to be that insufferable and selfish,
            that sharpened and tuned.
            I'm going to think of what it means
            to be an animal crossing a highway,
            to be a human without a useful prayer
            setting off on one of those journeys
            we humans take. I don't expect anything
            to change. I just want to be filled up
            a little more with what exists,
            tipped toward the laughter which understands
            I'm nothing and all there is.
            By evening, the promised storm
            will arrive. A few in small boats
            will be taken by surprise.
            There will be survivors, and even they will die.
     
                                             -- Stephen Dunn
    January 05

    January 2007

    "Libertad! Igualdad! Fraternidad!"
      
      You sullen pig of a man
    you force me into the mud
    with your stinking ash-cart!
     
    Brother!
    --if we were rich
    we'd stick our chests out
    and hold our heads high!
     
    It is dreams that have destroyed us.
     
    There is no more pride
    in horses or in rein holding.
    We sit hunched together brooding
    our fate.
     
    Well--
    all things turn bitter in the end
    whether you choose the right or
    the left way
    and--
    dreams are not a bad thing.
     
    - William Carlos Williams
    December 02

    Poem for December dedicated to Antonio

    Alentejo Seen From The Train

     
    Nothing with nothing around it
    And a few trees in between
    None of which very clearly green,
    Where no river or flower pays a visit.
    If there be a hell, I've found it,
    For if ain't here, where the Devil it is?
     
    Fernado Pessoa (1907)
    November 23

    One of my poems

    At The Box
     
    I listened at the box
    for the double talking
    and the wind walk
    among the reeds and the
    wooden slats to distant muddy
    shores the lapping sounds
    of dragonflys and geese flying south
    mirrored my pretense
    before the sun changed hue
     
    depression is the hour it bends
    when coffee gets colder
    sleep rustles and points like trees
    that are blown about from
    window panes and mailboxes
    fixed to posts and fences
    painted in mental homes
     
    And when I wear glasses
    I see my hands fog around issues
    like chasing the bus it comes
    with practice that and the looks
    they stare into parts of a watch
    made in the morning of a moment
    somewhere that I could be
    if it came to that but it doesn't
    and its easy to forget
    it was my turn to count
     
    -Mangomop 2004
    November 04

    Poem for November

    The Ballad of the Girlie Man
    —For Felix



    The truth is hidden in a veil of tears
    The scabs of the mourners grow thick with fear
    A democracy once proposed
    Is slimmed and grimed again
    By men with brute design
    Who prefer hate to rime

    Complexity's a four-letter word
    For those who count by nots and haves
    Who revile the facts of Darwin
    To worship the truth according to Halliburton

    The truth is hidden in a veil of tears
    The scabs of the mourners grow thick with fear

    Thugs from hell have taken freedom's store
    The rich get richer, the poor die quicker
    & the only god that sanctions that
    Is no god at all but rhetorical crap

    So be a girly man
    & take a gurly stand
    Sing a gurly song
    & dance with a girly sarong

    Poetry will never win the war on terror
    But neither will error abetted by error

    We girly men are not afraid
    Of uncertainty or reason or interdependence
    We think before we fight, then think some more
    Proclaim our faith in listening, in art, in compromise

    So be a girly man
    & sing this gurly song
    Sissies & proud
    That we would never lie our way to war

    The girly men killed christ
    So the platinum DVD says
    The Jews & blacks & gays
    Are still standing in the way

    We're sorry we killed your god
    A long, long time ago
    But each dead solider in Iraq
    Kills the god inside, the god that's still not dead.

    The truth is hidden in a veil of tears
    The scabs of the mourners grow thick with fear

    So be a girly man
    & sing a gurly song
    Take a gurly stand
    & dance with a girly sarong

    Thugs from hell have taken freedom's store
    The rich get richer, the poor die quicker
    & the only god that sanctions that
    Is no god at all but rhetorical crap

    So be a girly man
    & sing this gurly song
    Sissies & proud
    That we would never lie our way to war

    The scabs of the mourners grow thick with fear
    The truth is hidden in a veil of tears
     
    - Charles Bernstein
     
     
    July 07

    Poetry July

    My Message

     

    And now you ask
    what is my message
    i say with Nabokov
    i am a poet
    not a postman
    i have no message.

    but i want the cadences
    of my verse to crack
    the carapace of indifference
    prise open torpid eyelids
    thick-coated with silver.

    i want syllables
    that will dance, pirouette
    in the fanatasies of nymphets
    i want vowels that float
    into the dreams of old men.

    i want my consonants
    to project kaleidoscopic visions
    on the screens of the blind
    & on the eardrums of the deaf
    i want pentameters that sing
    like ten thousand mandolins.

    i want such rhythms
    as will shake pine
    angsana, oak & meranti,
    out of their pacific
    slumber, uproot them-
    selves, hurdle over
    buzz-saw & bull-dozer
    and rush to crush
    with long heavy toes
    merchants of defoliants.

    i want every punctuation --
    full-stop, comma & semi-colon
    to turn into a grain of barley,
    millet, maize, wheat or rice
    in the mouths of our hungry;
    i want each & every metaphor
    to metamorphose into a rooftop
    over the heads of our homeless.

    i want the assonances
    of my songs to put smiles
    on the faces of the sick,
    the destitute & the lonely,
    pump adrenaline into the veins
    of every farmer & worker
    the battle-scarred & the weary.

    and yes, yes, i want my poems
    to leap out from the page
    rip off the covers of my books
    and march forthrightly to
    that sea of somnolent humanity
    lay bare the verbs, vowels
    syllables, consonants . . . & say
    "these are my sores, my wounds:
    this is my distended belly:
    here i went ragged and hungry:
    in that place i bled, was tortured;
    and on this electric cross i died.
    Brothers, sisters, HERE I AM."

     

    - Cecil Rajendra

    June 14

    June Poem

    On the Road Home

     
    It was when I said
    'There is no such thing as the truth,'
    That the grapes seemed fatter.
    The fox ran out of his hole.
     
    You... You said
    'There are many truths,
    But they are not the parts of a truth.'
    Then the tree, at night, began to change,
    Smoking through green and smoking blue.
    We were two figures in a wood.
    We said we stood alone.
     
    It was when I said,
    'Words are not forms of a single word.
    in the sum of the parts, there are only the parts.
    The word must be measured by eye';
     
    It was when you said,
    'The idols have seen lots of poverty,
    Snakes and gold and lice,
    But not the truth';
     
    It was at that time, that the silence was largest
    And longest, the night was roundest,
    The fragrance of the autumn warmest,
    Closest and strangest.
     
    - Wallace Stevens
    May 12

    May Poem

    Derrida at Dunedoo
     
    Living so very far away here, you're nowhere;
    at most an insert in a tourist brochure
    for the Bicentennial Sheep Museum
    or the funny pub that once upon a time
    featured on a brewerey calendar
    (not even the locals now remember the year).
    You'll never be the Big Thing on the edge of town
    that everybody wants a postcard of.
     
    Here, meaning can never be that simple.
    The silo is the only skyscraper
    and the rest of your horizon - the true blue -
    is unconceivable unless the moon
    leaves a dusty thumbprint, or it rains.
    The ants of the dry clay make a language
    if you want it. But since you've read so much
    you don't believe in poetry or nature.
     
    So here, in borrowed style, is a long beer
    and a vision of the mortgaged plains,
    framed by a verandah on the blunt edge
    of history. The bones in the back paddock
    could be Koori or they could be your Great-Uncle Aub
    - but putting them together would be rather
    like sculpture, or like resurrecting space junk.
    Besides your garden, and your lush good looks
    keep you much too busy, keep you at home.
     
     
    - Peter Kirkpatrick
    April 07

    Poem for April

    The Warm and the Cold
     
      Freezing dusk is closing
        Like a slow trap of steel
    On trees and roads and hills and all
        That can no longer feel.
            But the carp is in its depth
              Like a planet in its heaven.
            And the badger in its bedding
              Like a loaf in the oven.
            And the butterfly in its mummy
              Like a viol in its case.
            And the owl in its feathers
              Like a doll in its lace.

    Freezing dusk has tightened
        Like a nut screwed tight
    On the starry aeroplane
        Of the soaring night.
            But the trout is in its hole
              Like a chuckle in a sleeper.
            The hare strays down the highway
              Like a root going deeper.
            The snail is dry in the outhouse
              Like a seed in a sunflower.
            The owl is pale on the gatepost
              Like a clock on its tower.

    Moonlight freezes the shaggy world
        Like a mammoth of ice -
    The past and the future
        Are the jaws of a steel vice.
            But the cod is in the tide-rip
              Like a key in a purse.
            The deer are on the bare-blown hill
              Like smiles on a nurse.
            The flies are behind the plaster
              Like the lost score of a jig.
            Sparrows are in the ivy-clump
              Like money in a pig.

    Such a frost
        The flimsy moon
            Has lost her wits.

              A star falls.

    The sweating farmers
        Turn in their sleep
            Like oxen on spits.

    Ted Hughes
    March 01

    March Poem

    The Moment
     
     

    The moment when, after many years
    of hard work and a long voyage
    you stand in the centre of your room,
    house, half-acre, square mile, island, country,
    knowing at last how you got there,
    and say, I own this,

    is the same moment when the trees unloose
    their soft arms from around you,
    the birds take back their language,
    the cliffs fissure and collapse,
    the air moves back from you like a wave
    and you can't breathe.

    No, they whisper. You own nothing.
    You were a visitor, time after time
    climbing the hill, planting the flag, proclaiming.
    We never belonged to you.
    You never found us.
    It was always the other way round.

     

    Margaret Atwood


    February 07

    Poetry for a February

    I Used to Admire
     
    I used to admire
       Men who sailed unknown seas or climbed dangerous mountains,
       Who flew planes in the Yukon or parachuted for fun,
       Men who built their own houses and planted with their own hands,
       Giants who built shopping centres and skyscrapers 100 stories high.
    I used to admire
       Priests who missionaried in China and scientists who discovered cures,
       Industrialists who built empires, celebrities who made a mark.
    Now I'm glad I've lived long enough to do some of the things
       I used to admire
    Lately I only admire people
       Who do what they have to do.
     
    -James Kavanaugh
     
     
    Outwitted
     
    He drew a circle that shut me out -
    Heretic, rebel, a thing to flout.
    But Love and I had the wit to win:
    We drew a circle that took him in!
     
    - Edwin Markham
     
     
     
     
     
    January 14

    Poem for January 2006

    Beach Burial

     

    Softly and humbly to the Gulf of Arabs

    The convoys of dead soldiers come;

    At night they sway and wander in the waters far under,

    But the morning rolls in the foam

     

    Between the sob and the clubbing of the gunfire

    Someone it seems, has time for this,

    To pluck from the shallows and bury them in the burrows

    And tread the sand upon their nakedness;

     

    And each cross, the driven stake of tidewood,

    Bears the last signature of men,

    Written with such perplexity, with such bewildered pity,

    The words choke as they begin-

     

    “Unknown seaman” – the ghostly pencil

    Wavers and fades, the purple drips,

    The breath of the wet season has washed their inscriptions

    As blue as drowned men’s lips,

     

    Dead seamen, gone in search of the same landfill,

    Whether as enemies they fought,

    Or fought with us, or neither; the sand joins them together,

    Enlisted on the other front.

     

    El Alamein.

     

    - Kenneth Slessor